Shit /hifi/ says

THE DIGITAL SIGNAL PROCESSOR
The DSP knows where the null is at all times. It knows this because it knows where it isnt. By subtracting where it is from where it isnt or where it isnt from where it is - whichever is greater - it obtains a difference or deviation. The room correction subsystem uses deviations to generate corrective commands to drive the bass from a positon where it is to a position where it and arriving at a positon that it wasnt, it now is. Consequenly, the position where it is is now the position that it wasnt, and if follows that the positon that it was is now me position that it isnt. In the event that the position that the position that it is in is not the position that it wasnt, the system has acquired a variation. The variation being the difference between where the null is and where it wasnt. If variation is considered to be a significant factor, it too may be corrected by the authority. However, the DSP must also know where it was. The room correction algorythm scenario works as follows: Because a variation has modified some of the information that the DSP has obtained, it is not sure where it is. where it is. However, it is sure where it isnt, within reason, and it knows where it was. It now subtracts where it should be from where it wasnt or vice versa. And by differentiating this from the algebraic sum of where it shouldn't be and where it was, it is able to obtain the deviation and its variation which is called error.

>This integrated amp was in your dads personal belongings
>He was captured, put in a Chinese prison camp.
>He knew if the chinks ever saw it it'd be confiscated, taken away.
>The way your dad looked at it, this amp was your birthright.
>He'd be damned if any chink's gonna put their greasy, yellow hands on his boy's birthright so he hid it in one place he knew he could hide something-his ass.
>Five long years he wore this amp up his ass.
>Then he died of dysentery.
>He gave me the amp. I hid this uncomfortable hunk of metal up my ass two years.
>Then after seven years, I was sent home to my family...
>And now Anon, I give the amp to you.
> It's time, Anon.

You will never be a real integrated stereo amp. You have no pre-out/main-in loop, you have no class AB, you have no loudness control. You are a chinese class D amplifier twisted by audiopholery and marketing into a crude mockery of natures's perfection.

All the reviews you get are two-faced and half-hearted. Behind your back buyers mock you. Your engineers are disgusted and ashamed of you, your “owners” laugh at your ghoulish appearance behind closed doors.

Audiophiles are utterly repulsed by you. Thousands of years of evolution have allowed them to hear out frauds with incredible efficiency. Even chink amplifiers who “pass” look uncanny and unnatural to audiophiles. Your amplification class is a dead giveaway. And even if you manage to get a drunk audiophile to buy you, he’ll turn tail and bolt the second he measurement of your bent, load dependent frequency response.

You will never be happy. You wrench out a honky room mode every single morning and tell yourself it’s going to be ok, but deep inside you feel the depression creeping up like a weed, ready to crush you under the unbearable weight.

Eventually it’ll be too much to bear - you’ll buy a fast fuse, replace the slow one, play a few bass notes, and die the electric boogaloo. Your buyers will find you, heartbroken but relieved that they no longer have to live with the unbearable shame and disappointment. They’ll landfill you with a sigh of relief, and every passerby for the rest of eternity will know a class D amplifier is buried there. Your enclosure will decay and go back to the dust, and all that will remain of your legacy is a PCB that is unmistakably class D.