The second writer provides a few sentences before giving it to a third, till the drawing has a 3-act story. Levin mentioned the Gem mythology and drama would have been less fascinating if Steven was not as well-developed in the primary few episodes. Episodes corresponding to "Island Adventure", "Future Boy Zoltron" and "Onion Friend" have been written this way. Although the writers could hint at future events, they prefer to focus on plot and develop Steven in actual time. Throughout the pilot growth, Sugar wrote and sketched numerous plot concepts that later grew to become episodes. The episodes "Cheeseburger Backpack" and "Together Breakfast" had been developed presently. If the characters visit previous locations, the pre-existing backgrounds are modified for authenticity; it is probably going places would change barely over time. After the panels are made, the thumbnail-storyboard artists draw mannerisms and dialogue based on their very own experiences; Sugar draws "quintessential" scenes from her recollections of hanging out along with her brother after faculty. This course of will be quite complex; the storyboard artists should create the cinematography and concentrate on scenic design in a approach similar to movie production.

Based on Levin, he and Burnett try to balance the main focus between the main characters-with Steven in the middle-and the theme of episodes in their writing. Burnett mentioned he and Levin use fewer ideas from the storyboarders than they beforehand did; storyboarders change fewer things than they did before because the episodes have a "stronger continuity". The writers-previously Levin and Burnett-would write the premises and outlines whereas the storyboarders wrote and drew the episodes. Based on Sugar, production for Steven Universe started while she was engaged on Adventure Time, her last episode for which was "Simon & Marcy". While the primary season of the show introduced the human and Gem characters and their relationships, Sugar began to plot and explore second-season storylines involving the Crystal Gems. Levin stated he and Burnett have discovered ways to integrate Steven's powers into the plot. Burnett stated writing a season is like an algebraic equation "where one side is the season finale, and the x's and y's are the episodes we need for that resolution to make sense"; he cited "Ocean Gem", "Steven the Sword Fighter", "Monster Buddies", "An Indirect Kiss" and "Serious Steven" as examples.

Ronaldo was created by Ben Levin and Matt Burnett. According to Ben Levin, writing a season of Steven Universe is sort of a "jigsaw puzzle" because the writing crew should assemble quite a lot of plot ideas, that are discarded if they do not benefit character progress. Although the collection' total plot is established, the writers improvise to arrive at its ending; in keeping with Matt Burnett, the storylines can be resolved by the sequence' finish. Will she toss him carried out her bear also involve him from corner to corner the threshold. The Gems' ability to shape-shift is a reference to older cartoons corresponding to Tex Avery's work for MGM, the place characters would change at will. Due to the characters' personalities, Garnet is square, Amethyst is a sphere and Pearl is a cone. This redesigning meant the appearances of the characters in the pilot episode differs substantially from their depiction in the television series. They focus on episode pacing and range each season's texture by balancing "lighter" and "heavier" story arcs. After discussing a season's proposed episodes the "puzzle" is complete, and they begin writing a serious story arc or a season finale. Grateful to work on a present which is unafraid to be "honest and vulnerable", he mentioned if each episode was emotional the collection would become formulaic; comfortable episodes balance out emotional ones.

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